We exist so every voice can sing without fear, lead without shame, and belong without question.


Building a National Choral Movement
NYCGMC became a founding member of what would become GALA Choruses, helping build a national movement of LGBTQ+ choruses. New York subsequently hosted the first GALA Choruses Festival, bringing singers together from across the country and demonstrating the growing power of queer people organizing, performing, and creating community through music.
Standing Up to Discrimination
After selecting NYCGMC through a blind audition, the American Choral Directors Association attempted to prevent the Chorus from performing once its identity became known. NYCGMC challenged the decision through legal action, and ACDA ultimately reversed its discriminatory policy. The episode became a defining example of the Chorus using artistic excellence and advocacy together to demand equal treatment.
Responding to the AIDS Crisis
As HIV/AIDS devastated New Yorkโs gay community and NYCGMC itself, the Chorus used music as a form of advocacy, mourning, and care. NYCGMC performed in Best of the Best, the first major celebrity AIDS fundraiser in New York City, and would go on to sing at memorials, benefits, and community gatherings throughout the epidemic. The crisis profoundly shaped the Chorus and generations of its members.

Celebrating Stephen Sondheim
NYCGMC presented a sold-out celebration of Stephen Sondheim at Avery Fisher Hall. The evening included a surprise appearance by Sondheim himself, marking an early example of the Chorusโs growing connection to the artists and institutions at the center of New York cultural life.
A Chorus in a Changing Europe
On its second European tour, NYCGMC performed in cities across the continent, including a newly reunified Berlin. The tour placed the Chorus within a rapidly changing international cultural landscape and continued its role as an openly gay American ensemble performing proudly on major stages abroad.

Stonewall 25
NYCGMC commemorated the 25th anniversary of the Stonewall uprising with Stonewall 25 at Carnegie Hall, connecting the Chorusโs artistic work directly to the history of the modern LGBTQ+ rights movement.
Touring, Visibility, and Activism
NYCGMC undertook its third European tour and, back in New York, joined the Matthew Shepard Political Funeral March on Fifth Avenue. Together, these moments reflected the Chorusโs increasingly visible role both as an international performing ensemble and as a participant in the LGBTQ+ communityโs public response to injustice.
Singing After September 11
On September 12, members of NYCGMC sang at the Union Square vigil following the attacks on the World Trade Center. At a moment of extraordinary grief for New York City, the Chorus joined thousands of New Yorkers gathering in remembrance, solidarity, and community.
Youth Pride Chorus
Youth Pride Chorus made its debut in Pride for All Ages at Carnegie Hall, creating a dedicated musical home for LGBTQ+ young people and allies. Its formation extended NYCGMCโs mission across generations and created new opportunities for young singers to find community, confidence, and belonging through music.
The First Big Gay Sing
NYCGMC launched the first Big Gay Singยฎ at NYU Skirball, transforming the traditional concert experience into an exuberant audience sing-along. The format became a signature NYCGMC event and was later adopted by choruses around the world.
The Normal Heart
NYCGMC appeared as itself in HBOโs The Normal Heart, recreating a 1982 Chorus appearance at a Gay Menโs Health Crisis fundraiser. The production connected present-day members with the generation of singers who lived through the earliest years of the AIDS crisis and brought that history to an international audience.
A Growing Cultural Presence
NYCGMC continued expanding its artistic and cultural reach through major collaborations and appearances, including performances connected to Marriage Equality Ireland, Sia, the memorial for Joan Rivers, Tylerโs Suite, the Drama League, and the New York Philharmonic. These years reflected the Chorusโs increasingly visible place within both LGBTQ+ advocacy and New Yorkโs broader cultural landscape.

Music in the Face of Tragedy
In a year of major artistic growth, NYCGMC appeared at Carnegie Hall with Alan Cumming and reached record membership. Following the Pulse nightclub shooting in Orlando, members also performed on Good Morning America, joining the national response to an act of violence that profoundly affected LGBTQ+ communities.
Stonewall 50 and Forty Years of Singing Out
For the 50th anniversary of Stonewall and NYCGMCโs 40th anniversary season, the Chorus participated in Quiet No More, a major choral commemoration of the Stonewall uprising presented at Carnegie Hall and performed by LGBTQ+ choruses across the country. The project connected decades of queer history, activism, and choral music in a landmark anniversary year.
Keeping the Music Alive
COVID-19 abruptly suspended NYCGMCโs 40th season and brought in-person rehearsals and performances to a halt. Members continued making music and maintaining community virtually during an unprecedented period of isolation. The eventual return to the rehearsal room and stage became more than a reopening: it was a revival of the shared musical community at the heart of the Chorus.


Returning to ACDA
From February 25โ28, 2026, NYCGMC returned to the American Choral Directors Association in Providence, Rhode Island. More than four decades after the discrimination the Chorus confronted in 1984, the return carried particular historical weight: an organization that once tried to exclude NYCGMC now welcomed the Chorus back on the strength of the artistry and visibility it had fought to protect.

Since our first rehearsal in 1979โฆ
Singers in our ranks
Years of harmony
Cities on tour
Performances given
Proud member of GALA Choruses
As a founding member of GALA Choruses, weโre part of a global movement using music to strengthen LGBTQ+ communities and advance equality.

Donโt miss out on the experience
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